Falmouth University, PGCHE, 2021

University of Central Lancashire, Masters in Fine Art with Distinction, 2011

City University London, Postgraduate Diploma in Arts Administration, 1991

Central School of Art & Design, BA Hons.Degree in Fine Art, Printmaking, 1988

Sir John Cass School of Art, Foundation Course in Art and Design, 1985

Caught Playing (2024), St Anne's House, St Anne's, Bristol UK

Care & Control (2022), Birley Gallery and Studios, Preston, UK

HER-MIT (2019) curated by Natasha MacVoy, Dursley Glos. UK

Semi-Permanent Collections (2015 / 2016) Victoria Gallery and Museum, University of Liverpool UK

Open House St Anne’s House (June 2026) performance of Dust Bunnies

Women In Print Editions‍ Collection, Allan Bank (The National Trust), Grasmere (March - June 2026)

Pink Noise, curated by Lisa Snook (March 2026) included performance with Henny Burnett, Stable Gallery Suffolk

Shape of Care (Jan - May 2026), The Holburne Museum

Woolwich Print Fair curated by Women in Print / Tracy Hill (UCLan) (Nov 2025), Woolwich

Perpetually Stew, live art exhibition curated by Buoys Buoys Buoys (July 2025), kit.form gallery

Pick it up, curated by Morven Mulgrew (Feb 2025), 17 Midland Road

THISS 2024, curated by Alice Sheppard Fidler at The Hide, (June 2024) SITE Festival, Stroud

Contested Territories, curated by The State of Print, (2022) IMPACT 12, Bristol

The house protects the dreamer (2021), Safehouse 1, London

Liverpool Bestiary (2018), 9th Annual International Conference on Visual and Performing Arts in Athens https://www.atiner.gr/arts, Greece

Doorways and Biography in Cloth, (2018) FaB, Bath

DRAWN (2017) Royal West of England Academy, Bristol

NOPE (2016), Bankside Gallery London

Druk Maken, (2015) Grafische Atelier Alkmaar, Netherlands

PENPAL (2012) Graphikwerkstatt Kölner, Cologne

Cornerstone (2011), Hope University, Liverpool

Trialogue (2010) Editions Gallery, Liverpool

Tiefsschwarz Deep Black (2010/11) LJMU, Cologne, Pančevo, and Serbia

Freaks (2010), The Crypt Euston, London

Masters’ Show (2010 and 2011) Atkinson Gallery, Somerset

Triple Echo (2008 – 2009) Wirral, Preston, Liverpool, Bristol IMPACT6

Artlab (2007) PR1 Gallery, University of Central Lancashire, Preston

Wrexham Print International (2007), Oriel Gallery and UK tour

Drawbridge with visual artists Hammer Chen, Liz Greaves, Beck Slater, Mary Antoinette Armenti, Catherine White, Christine Chen and Kei Langley, The Pulp Room at Bricks St Anne’s, (2023)

Body as a Tool, MAYK Space at Bricks’ St Anne’s House, (2023)

For visuals on these residencies use this link

Women in Print, ArtLab, UCLan, Preston (2022)

The Garage, Bristol, UK (2020 and 2021)

Grafische Atelier Alkmaar, Netherlands (2017)

Graphikwerkstatt Kölner, Köln, Germany (2017)

Druk Maken, Grafische Atelier Alkmaar, Alkmaar, Netherlands (2015)

University of Liverpool, Permanent Collections, Liverpool, UK (2015)

Curation of exhibition and accompanying essay: ‘Playgrounding’, AXIS online (February 2026)

Article: ‘Harmonic Sequencing’ profile of artist Virginia Bridge, Printmaking Today Vol.34 no.135 (Summer Issue 2025)

Contributor: My body in my hands, (2024) ed. Nicola Grellier and Sam Lucas

Film: Expanded Print, obo UWE’s Centre for Print Research programme towards IMPACT 12 (2022)

Contributor: Szene Kölner Graphikwerkstatt (2020), ed. Andreas Vietz. Köln.

Contributor: Review of ‘The Women of Atelier 17 - Modernist Printmaking in Mid-Century New York’ by Christina Weil, (date) Vol 27 no. 1 Printmaking Today, pub. Cello Press, Cambridge

Film: Wellbeing and the Artist, obo UWE’s CFPR, Summer Print and Book Festival (2020)

Catalogue: Liverpool Bestiary, (2019), LADA, LJMU. Liverpool

Catalogue: Space and Time, UWE Bristol (2018)

Article: ‘Help! I need somebody’, Artists’ CPD post MA, Printmaking Today Vol.26 no.3 (2018)

Contributor: Review of ‘Rothenstein at the Fry Gallery’ (Feb 2018) Vol 27 no. 1 and Review of ‘Artist Boss’ (June 2017) Vol 26 no. 2 Printmaking Today, pub. Cello Press, Cambridge

Subject of film: GAA Druk Maken (2015) K1 Cultimedia, Alkmaar, Netherlands (see https://www.youtube.com/channel/UCiruIcwkb9OILjrJUJQRjYA)

Subject of film: Semi-Permanent Collection, Victoria Gallery and Museum, University of Liverpool (online see https://www.youtube.com/watch?v=eIRT6fZGziY) (2015)

Co-author: A better bite, written with Tracy Hill. Vol 20 Printmaking Today issue 79 (Autumn 2011), pub.Cello Press, funded by AHRC, also published online at http://nontoxicintaglio.tumblr.com

Contributor: DRAWING PAPER #3, (May 2011), pub Carney, Mike and Barraclough, Jon, Liverpool (also online at www.drawing-paper.tumblr.com)

Contributor: Cardboard Folly #1 THE FOLD. Speed, Emily (2010) ed. pub Emily Speed, Liverpool, ISSN 2044-9771

Book Tour: Hettie Judah ‘How to Enter the Art World’ with Alice Sheppard Fidler, Nick Grellier and Freya Begbie at The Hide Artist’s Retreat

Artist’s talk: Birley Gallery and Studios (2022)

Artist’s talk: UWE MA Multidisciplinary Print (2019)

Artist’s talk: ArtLab at UCLan, Preston (2018)

Artist’s talk: Grafische Atelier Alkmaar, Netherlands (2017)

Speaker: ‘Printmaking Today’, First Edition Symposium, Cork, Ireland (2017)

Artist’s talk: John Moores University, Liverpool Art and Design Academy (2016)

Artist’s talk: GAA Druk Maken, Grote Kerk, Alkmaar, Netherlands (2015)

Speaker: ‘Re-establishing print at the Bluecoat’, Pendle Print Festival (2014)

‘David Hockney – Early Reflections’, Walker Art Gallery (2013)

‘Printmakers’ Council Miniature Print Exhibition’, Kirkby Gallery (2011)

‘The Art Books of Matisse’, Walker Art Gallery, Liverpool (2011)

‘Lautrec: Lithography and Drawing’, Lady Lever Art Gallery (2010)

‘Whistler: The Gentle Art of Making Etchings’, Lady Lever Art Gallery (2009)